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Greek Art The Golden Age
Byzantine and Romanesque Art
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19th century academicians achieve Aegina Aegina Marbles ambiguity appear art critic artistic artistry avant-garde Baroque beauty Bernard Berenson brush stroke Byzantine canvas Cezanne Cezanne's chiaroscuro classic color composition conception consider contemporary contours created creative Cubist decorative early Renaissance effect elements example expression fact Figure Francesco Guardi Frans Hals Gallery genius Gothic art Greco Guardi harmony and balance Hence Henri Matisse human images imagination imitators Impressionists jects Johann Sebastian Bach Kasimir Malevich lack landscape Leonardo manner Marcel Duchamp masters ment Metropolitan Museum modern architecture Modern Art Museum of Art Museum of Modern nature Neoclassic nonobjective Nude objects originality ornamentation Pablo Picasso paint quality painter Peasants perfection Periclean Age Peter Paul Rubens pictorial picture Portrait primitive principles Raphael realism referred Rembrandt Rococo Roman Romanesque Rubens scene sentimental skill style surface talent taste technique texture tion Titian tradition ture tury value judgment Velazquez Victorian visual York