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Chap Page I Origins
Greece and Rome
The European Tradition of Clay Technique
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Albert Museum amongst applied artistic baluster baroque beakers beauty blue blue-and-white body Bohemia bowls brown buff celadon century Victoria ceramic China Chinese porcelain clay cobalt colourless composition dark decoration Delft designs dishes Dutch dynasty earlier earliest early earthenware Egypt eighteenth century employed enamel colours enamel painting England English engraved Etruria Europe examples factory Faenza faience famille verte figures firing flowers Germany glass glasshouse glaze goblets Greek green hard-paste porcelain imitation influence inscriptions Italian jars jugs K'ang Hsi Kakiemon kiln later lead-glazed London lustred ware maiolica manufacture material mediaeval Meissen ment metal Ming moulded opaque ornament painted painters period Persian pigments Plate polychrome porcellanous pots pottery produced purple Raeren relief Roman Samarra seventeenth century Sevres sgraffiato shapes sixteenth century slip sometimes Staffordshire stained stoneware style surface technique under-glaze vases Venetian vessels Victoria and Albert Wedgwood whilst workshops