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in a Fallen World
3 Social and Ethical Assumptions
Ego Control and Independence
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action adaptation aesthetic Albert Graves ambitious wishes Archer novels assumptions audience authority Bluestone Brian Kilpatrick Chandler Chapter character Christ cinema client conflict conventions corruption Crandall critical demands deontological ethics detective fiction dialogue Drowning Pool erotic and ambitious ethical experience expression fantasy forces Freud Fritz function genre Graham Greene hard-boiled detective story hard-boiled fiction hard-boiled story Harper hero individual intellectual class interest Kelsey Leo Broadhurst limits literary loyalty Macdonald's fiction Macdonald's Lew Archer Maltese Falcon marriage Miranda monotheism monotheistic moral Mountain House Moving Target murder mystery narrative Paul Newman Philip Marlowe police popular culture popular culture studies possible present problem psychological questions Ralph Sampson Raymond Chandler reader Reinhold Reinhold Niebuhr relationship religion renunciation responsibility reveals Richard Niebuhr Ronny Broadhurst Ross Macdonald's Lew satisfactions seems sexual sheriff social society Stanley's superego Sweetner tale traditional ultimate unconscious Underground understand values visual wish fulfillment writers York