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CHOICE OF SUBJECT MATTER
RESOLVING A PAINTING
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Abbott Thayer able abstract shapes acrylic allow applied pastel areas of color artist background begin brush collection color in relation composition develop difficult drawing easel edges Egon Schiele Everett Raymond Kinstler exciting experience feel finished focus gesso gouache on board hard pastels helpful Howard Fast ideas important interesting Kathe Kollwitz keep large painting light areas light pattern lightly loft look lose losing edges Mary Beth McKenzie matte surface Maurice Prendergast medium middle tones monotype oil on canvas oil painting outdoors overall painterly painting knife painting progressed palette paper particularly pastel and gouache pastel stick placement plate portrait pose possible pressure problem quickly relationships repainted reworked Robert Brackman rough second print self-portrait shadow areas sketch sometimes space spray STAGE step back Stonewall Farm strong surface things turpentine usually varnish white canvas Winsor & Newton