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THE SUBJECT OUTLINED
THE EARLY HISTORY OF Music IN RUSSIA
OPERA AND THE DAWN OF RUSSIAN Music
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achieved Armenian artistic attractive Balakiref ballet Boris Godunof Borodin cantata century Cesar Cui chamber-music CHAPTER character chiefly choral chorus colour composition consists culture dramatic early elements emotion Ernest Newman especially expression fact feeling Findeisen folk-music folk-songs folk-tunes genius genuine Gerald Abraham gifted Glazunof Glinka harmony idiom influence innovations instance instrumental interest Khovanshchina Lady Macbeth later less Liadof libretto Liszt lyrical melody minor Moscow musicians Mussorgsky national Russian nationalist native music nature Nikolai Nikolai Tcherepnin opera orchestral original output includes performance Petersburg piano concerto piano music play poem poetic praise principal problems Proletarian published realism regarded repertory Rimsky Rimsky-Korsakof Russian composers Russian music Sadko scenes score Scriabin sense sonata songs Soviet composers Soviet music Sovietskaya Muzyka Stenka Razin Stravinsky string quartet style Tamara Tchaikovsky technical technique themes things third symphony tion tone-poem tradition Tsar tunes Turkmenian vernacular violin concerto Western writing