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The Music of the Nineteenth Century
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able achieve actual admirable already appeal artistic attempt Bartók beauty become called certain certainly characteristic complete composer conception consequently consists course critics Debussy definite Delius difficult direction effect element emotion entirely equally essentially example experience expression fact fails feel figure final give greater greatest hand harmonic human ideal ideas imagine important impossible interest kind lack later least less literary living master means melodic ment merely mind movement musician nature never observed opera orchestral originality particular performance perhaps period piano play poem possess possible precisely present probably purely qualities realize reason regard represents reveal rhythm romantic Schönberg seems sense similar simply songs sound spirit stands Strauss Stravinsky string style suggests Symphony theme things thought tion tradition true understand Wagner whole wholly writing written