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The Music of the Nineteenth Century
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achieve actual admirable aesthetic already Arnold Schonberg Arthur Symons artistic Bach Bartok beauty Beethoven Berlioz Brahms Busoni called characteristic classical composer's conceived conception consequently contemporaries contrapuntal critics Debussy Debussy's definite Delius Delius's Dieren difficult dramatic element Elgar emotion entirely example expression fact feel fugue genius greatest Guntram hand harmonic ideal ideas imagine impossible inevitably instruments interest kind lack least less Liszt literary literature master means melodic ment merely modern composers modern music movement Mozart musician nature never one's opera orchestral Palestrina particular perhaps Petrouchka piano Pierrot Lunaire poet possess possible precisely primitive programme music Puccini purely qualities Ravel reality realize reveal rhythm rhythmic Richard Strauss romantic romanticism Schonberg Scriabine seems sense Sibelius sonata songs sound spirit Strauss Stravinsky string quartet style symphonic poem Symphony tendency themes things tion to-day tradition true Wagner whole wholly words writing written Zarathustra