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Examination of Seven Singing Voice Qualities and Speech
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acoustic adduction Advance Tongue Root amplitude analysis found auditory analysis Belt quality breathy voice chest voice Classical quality classical singing classical voice quality contact quotient creak creaky voice DFT analysis energy in P2 Esling Estill Estill's falsetto female Figure filter formant locations formant tracking fundamental frequency glottal glottis higher pitches indicate inharmonic activity initial slope Jazz laryngeal position Laryngographic larynx Laver Legit LGG Analysis low pitch lowered larynx Lx signal Lx waveform MATLAB mean F2 mean formant modal voice muscles nasality Peak widening pharyngeal constriction phonation type pitch B4 pre-emphasis raised larynx running samples samples showed singer's formant singers singing qualities singing voice qualities skirt elevation Spectrogram speed quotient suggests Sundberg terminology thesis thyroarytenoid muscle Titze triangular University of Victoria upper partials vibration vocal fold adjustment vocal folds vocal tract vowel formant vowel Medium vowel modification vowel samples whispery voice