Acoustics of Bar Percussion Instruments |
Contents
INTRODUCTION | 1 |
Ranges of the Instruments | 31 |
LITERATURE REVIEW | 38 |
Copyright | |
4 other sections not shown
Common terms and phrases
Aluminum Vibe Bar amplitude anti-node Bar Fig bar material bar percussion instru bar percussion instruments bar shapes bar tuning bass CALIFORN cents 1st Mode Chapter described desired Frequencies of Modes funda fundamental frequency Glockenspiel harmonic series Honduras Hz A3 ideal frequency ratio inharmonic partials investigation low register mallet head manufactured marimba and vibe marimba and xylophone ments Mode Musical modes of vibration musical acoustics texts Musical Note Representations Musser nominal fundamental non-uniform cross section obtained octave stretching octaves higher Fig orchestra bell bars oscilloscope Partial Tone Structure percus percussion instrument bars percussive vibrators piano plates Produced by 220 produced second relationship Representations of Partial resonators rosewood bars Rosewood Marimba Bar SAN DIEGO second and third second partial Soft Mallet sounding pitch Steel Orchestra Bell striker Stroboconn Strong 3rd third modes tone quality transient responses tuners tuning process underside uniform cross section upper partial tones vibraphone Vibration and Musical wood xylophone bars