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FIGURE PACE 1 Recording of sine curve from pendular vibration
Vibration forms of a rope
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Acoustics air column air particles amplitude audible auditorium beats bell body caused complex tone compression curved cycles diatonic diatonic scale difference tones direction displaced distance effect elasticity energy equal temperament example fact fifth Figure formant frequency frequendy fundamental gready harmonic partials harmonic series hear heard higher illustrated increased inharmonic instruments intensity intervals intonation length less litde loop louder loudness lower major third metal motion natural nodes noise normal octave orchestral oscillograph overtones perfect fifth perfect fourth piano pipe organ pitch pressure produced prongs Pythagorean quency range rarefaction ratio reed reflected reinforcement resonance result reverberation scale semitone slighdy sound waves soundboard speed stopped pipe stretched strings stringed instruments surface tempered tend third partial throat tion tonality tone quality true tuning fork usually variations various vary vibration form violin voice vowel walls wave-length weakened whole tone wind wires