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Mime and Masks
The Commedia dellArte 210
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Acting Styles action actor actress audience August Strindberg become begin body breath Brecht Cecily Chapter character characterization Chekhov clown comedy Commedia dell'Arte costumes create Creative Process developed dialogue director door Dorine drama emotion Epops Estragon Euelpides Eugene O'Neill excerpt Exercise eyes feel FURTHER READING Garrick George Dandin gestures girl give Greek Gwendolen Hamlet hand Harold Pinter Hilda Ibsen imagination improvisation inner Interviewer Joseph Kalonika Lady Teazle laugh Lillian Ross lines look Lysistrata Martin masks means Menaechmus mime Moliere move movement never objective Oedipus Oedipus the King Orgon pantomime Pause performance person physical Pithetaerus Plautus play players playwright produce REHEARSAL rhythm Samuel Beckett scene Shakespeare Shen Shepherd Sir Peter sits Solness sound speak speech stage Stanislavski Strindberg Styles in Acting subtext Tartuffe theatre thought tion voice Waiting for Godot walk Woman of Setzuan words York