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Part one FILM AS DRAMA
Readings and viewings
Showing and telling
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action actors African Alain Resnais Anna Antonioni argues audience bandit beginning Big Sleep Bresson camera Carmen causality ceddo Cell characters cinema Claudia climax condamne confrontation conventional crucial David Bordwell depicted derniere a Marienbad director dramatic structure enacted escape example Ferdinand fiction film theory film's finds Fontaine's Geiger's Godard Hollywood Hollywood movie identity images imam implied individual involved Jean-Luc Godard Jost Kaplan L'annee derniere L'avventura logic Marianne Martin Esslin minutes narration narrative North by Northwest novel Orsini particular pattern Peter Brook Pierrot le fou play or film plot present protagonist Rashomon reader realisation reality Robbe-Grillet role samurai Sandro scene sense sequence shaped shooting shots Fontaine shots Marlowe shots number shots Thornhill space spectator stage and screen stage drama Sternwood story storytelling telling theatre theorists Thornhill traditional Umberto Eco unfolding Vandamm Village Vivian voice voice-over woodcutter woodcutter's words written text