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Foreword By John OConor
Interlude Acton In Bayreuth
Interlude Why Drag In The Anthem?
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acoustics Adelphi Cinema artistry audience Bach Bayreuth beautiful Beethoven Bernadette Greevy Brahms cantata certainly Charles Acton choir Chopin coming-out recitals complete composer CONCERT Sir conducting conductor coughing Dublin emotional enjoy especially event experience famous feel Festival fugue Gaiety Theatre gave Gerard Victory Handel Haydn hear heard hope impression instrument Ireland Irish Chamber Orchestra Janos Furst John O'Conor Lady's Choral Society last night Liberace listen Lorin Maazel Maazel magnificent marvellous minor Miss movement Mozart music critic musicians National Concert Hall notice occasion one's opera organisers Overture Pearce perfect performance Perhaps Philharmonic pianist piano players playing pleasure praise present programme quartet Radio Eireann readers remarkable RESO RTESO Saturday Scherzo Schubert Schumann seemed singers singing Smetana Smetana Quartet soloist Sonata song sort sound standards Stockhausen Stravinsky strings surely Symphony Orchestra Tchaikowsky Theatre Royal Tibor Paul tone tune variations violin voice whole wonderful write