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ASPECTS OF TRAINING AT THE PERFORMANCE GROUP
NOTES TO AN ACTOR
FILLING THE GAPS IN THE STANISLAVSKI SYSTEM
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ACTOR TRAINING Alan Watts association exercises audience back bend basic become begin behavior body core body roll breathing rhythms Central State Hospital character circle clothes combat confrontation create dance dialog discipline Donald Freed drama DRAMA THERAPY dream emotional energy environmental theatre everyday experience expression eyes face fantasies feel flow Grotowski gut system hands head hip roll hypnagogic hallucinations improvisation impulses Jerzy Grotowski Kathakali language living Makbeth mask of actions Meal means Meyerhold mise-en-scene move movement muscles neck participate partner patients Paul Epstein Performance Group performer's person physical action play psychoanalysis realize rehearsal Richard Schechner role scene Schechner score sense shaman shoulders slowly someone song sounds spine stage Stanislavski STANISLAVSKI SYSTEM step four step three story superobjective talk teacher technique tell tension things tion touch trust verbophysical exercises vertebra vocal voice Willy Willy's words workshop York