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ERIC BERNE T A AND THE ACTORS TEXT
IF ONLY I COULD BE AS EXPRESSIVE AS MY DREAMS
THE CARE AND FEEDING OF DINOSAURS
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acting action action theory actor actor's medium actress Alan Lomax Alexander Technique arms ashwood staff audience Beast become begin behavior Beowulf breathing C. W. Post College Cantometrics character Choreometrics Christ communication concentration creative culture dance dancer develop director Dragon emotional ensemble Ethnographic Filmmaking exercise experience explore expression eyes feel floor forest Grotowski hands head human imagination improvisation impulse individual intuition Irmgard Bartenieff Jerzy Grotowski kinesic King legs longship ment mimes mirror move muscles myth neck North Lands Odin Old Woman organism patterns performance person physical play R. D. Laing rehearsal relationship relaxation Repeat resonator response rhythm role scene sense awareness sensory sequence skald slowly song sound space specific spontaneous stage stand Stanislavsky stretch structure student subtext technique tensions theatre theory thing tion transactional analysis trying Viola Spolin vocal voice watched Wha bith words Young Wiglaf