Adolfo Bioy Casares: Borges, Fiction and Art

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Karl Posso
University of Wales Press, Nov 15, 2012 - Literary Criticism - 256 pages
Best known as Jorge Luis Borges’s right-hand man, Adolfo Bioy Casares (1914−1999) was, in his own right, an inventive writer of considerable skill. His works, often dismissed summarily as fantastic fiction, are now ripe for reassessment. This volume looks at Bioy’s extensive oeuvre which offers many surprising reflections on the twentieth century’s cultural, social and political transformations, both in Argentina and farther afield. Topics covered include Bioy’s meditations on isolation and logic, and his enduring fascination with the impact of photography on all artistic representation.
 

Contents

Series Editors Foreword
1913
Notes on contributors
1919
Rethinking Adolfo Bioy Casares
1936
Adolfo Bioy Casares a biographical sketch
Borgess appendix reflections on Bioys diary
Bioy and Borges from the third man to the world
Every man is an island Bioys fiction
1969 youth and rebellion in Diario de la guerra del cerdo
The fantastic in Bioys short stories
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About the author (2012)

Karl Posso is a Senior Lecturer in Latin American Cultural Studies at the University of Manchester.

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