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Introduction to Part One
Rhythmic Design The Staircase
Introduction to Part Two
33 other sections not shown
action activity actor Adolphe Appia aesthetic architecture art form artist attitude audience Basel Bayreuth beautiful become beginning Brunnhilde character color conception costumes create curtain Dalcroze designs desire downstage dramatic art dramatist elements Emile Jaques-Dalcroze enter entire essay eurhythmics everything existence experience expression eyes Faust feel Gerhilde gesture give Goethe hand harmony Hellerau Helmwige human body ideas imagination influence inner Jacques Copeau Jaques-Dalcroze light living art living body longer means mechanization Mephistopheles merely mise en scene modern movement moving musical expression musician nature never object offer opera orchestra organism Ortlinde ourselves painter painting Parsifal performance personality plastic play Port-Royal precisely present principle problem production reality realization reform remains rhythm Richard Wagner scenario scenic scenic painting scine score sense setting singing soul space spectator stage director steps style technical theatre theatrical tion turn understand upper platform Wagner Wagnerian Walkyrie Waltraute words Wotan