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The Claim for Aesthetic Experience
A Critique of Aesthetic Experience
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actual world aesthetic attitude aesthetic experience aesthetic object aesthetic possibilities aesthetic theory Albert Finney appear argued argument artefact Arthur Danto artist artworld audience basis Beardsley beauty belief belongs claim Clive Bell complex concept context counterfactual critical activity critical conferral critical status cultural depend describe Dickie disinterested empirical essential established example existence existential stipulations experiential external fact fiction formal fundamental Gareth Evans George Dickie Hume Hutcheson Ibid identified imperatives independent institution intentional interest internal involves Jones Kant language limited logical Mona Lisa move Nelson Goodman neo-Platonism neutral novel object of experience Odysseus one's ontological painting particular perception phenomenological philosophy pleasure practice pragmatic present pretense produce properties psychological qualities question recognize referential relation requires restricted role sense Shaftesbury singular reference someone specific starting point structure sufficient synthesis taste theoretical theory of art things thought tion transformation understand