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The Aesthetic Attitude
Embodiment and the Quest
Hegel on the Sublime
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aamad actual aesthetic attitude aesthetic experience aesthetic interest aesthetic point alapa appear articulate artist aspect attention bandish basic beauty bols character charm clear clearly composition concept contemplation course critic Critique of Judgment dancer danseuse Delhi delight Dickie distinct distinguish embodiment emotion emphasis essay expression fact Feeling and Form felt formal gesture graceful hand Hegel Hindustani classical music Hindustani Music Ibid imagination Indian instance intra-form Italics added Kant Kathak dance kind Langer laya listening look matter meaning meend merely movement music of India object once Orissi pattern perception play poem Problems of Art protest question raga Rahimuddin Khan rasa rasika rdga recital regarded region Reid relation rhythm rhythm-cycle rhythmic Sangeet seems self-completion sense significance simply singer singing speak sthayi Stolnitz sublime suggestion svara syllables symbolic symbolic art tdla tension theory thhat tion turn unity Ustad variform viewpoint vilambit virtual words