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abstract acoustic element actual aesthetic affirmed Aristotle art-theory art's artist aspect chapter character chiaroscuro color colorists commonly complex composition conation conception of art concrete consonance and dissonance constitute conventional crete critic define differentia of art direct disinterested distinctive divergent effect emotional exclusively existence experience fact factors feeling formula fundamental Grant Allen harmony hedonism hedonist Hence human ical idea interest less light and shade lines luminous intensity Masaccio material material principle matter measure and boundary melody ment merely Miss Puffer nature object painter painting perceive perception perfection Peter Bell pleasure plural poetry present problem psychological principles Psychology of Beauty psychophysical individual question reality reason reference relation representation representative rhythm romanticism scientist sense sensuous specific standpoint subjectivism substance of art technical term theorists things thought tints and shades tion tone truth varied viewpoint wholly words
Page 14 - ... foul, as if fair to some and foul to others, or in the likeness of a face or hands or any other part of the bodily frame, or in any form of speech or knowledge...
Page 102 - Poetry in general seems to have sprung from two causes, each of them lying deep in our nature. First, the instinct of imitation is implanted in man from childhood, one difference between him and other animals being that he is the most imitative of living creatures, and through imitation learns his earliest lessons; and no less universal is the pleasure felt in things imitated.
Page 25 - For it may be laid down as a maxim, that he who begins by presuming on his own sense, has ended his studies as soon as he has commenced them.
Page 25 - The Artist who has his mind thus filled with ideas, and his hand made expert by practice, works with ease and readiness ; whilst he who would have you believe that he is waiting for the inspirations of Genius, is in reality at a loss how to begin ; and is at last delivered of his monsters, with difficulty and pain.
Page 61 - ... that is, not as they are felt by the eye only, but as they are received by the mind through the eye. So that, if I say that the greatest picture is that which conveys to the mind of the spectator the greatest number of the greatest ideas, I have a definition which will include as subjects of comparison every pleasure which art is capable of conveying. If I were to say, on the contrary, that the best picture was that which most closely imitated nature, I should assume that art could only please...
Page 61 - The picture which has the nobler and more numerous ideas, however awkwardly expressed, is a greater and a better picture than that which has the less noble and less numerous ideas, however beautifully expressed. No weight, nor mass, nor beauty of execution can outweigh one grain or fragment of thought.
Page 141 - Shine for us with thy best rays, thou bright Dawn, thou who lengthenest our life, thou the love of all, who givest us food, who givest us wealth in cattle, horses, and chariots. ' Thou, daughter of the Sky, thou high-born Dawn, whom the Vasishthas magnify with songs, give us riches high and wide : all ye gods, protect us always with your blessings.
Page 140 - She shines upon us, like a young wife, rousing every living being to go to his work. The fire had to be kindled by men l ; she brought light by striking down darkness.
Page 14 - He who has been instructed thus far in the things of love, and who has learned to see the beautiful in due order and...