Aesthetics and Rock Art III: Symposium
Thomas Heyd, John Clegg
Archaeopress / John and Erica Hedges Limited, 2008 - Art - 102 pages
Papers from the 'Aesthetics and Rock Art III Symposium' held at the XV UISPP World Congress, Lisbon, 4-9 September 2006. Contents: Introduction (Thomas Heyd); 1) The magic of great art: do we have the answers? What makes some rock art unforgettable to some people? Does the magic lie in the mark, the maker or the viewer? (Margaret Bullen); 2) Does aesthetics have perceptual roots? (J. B. Der?gowski); 3) Aesthetics, function, and fashion in rock art: Reactions to 'Aesthetics and Rock Art' (John Clegg and Shiv Jamwal); 4) A rock art typology: Narrative and non-narrative figurative representation (Livio Dobrez); 5) Visual images are not always illustrations of texts: The status of Arnhem Land rock art (Michael Eastham); 6) Variabilite stylistique dans la tradition rupestre 'Planalto' du Bresil Central: Un meme ensemble thematique, plusieurs, esthetiques (Stylistic variability in the Planalto rock art tradition of Central Brazil: Same thematic approach, several aesthetics) (A. Isnardis, V. Linke and A. Prous); 7) Intentions in the engraved stones and standing stones of Pembrokeshire (Anne Eastham); 8) Aesthetics and function: A composite role in Borneo rock art? (Jean-Michel Chazine); 9) The Ethics of transculturation: Cultural appropriation and etiquette in the aesthetics encounter with engravings and paintings on rock (Thomas Heyd); 10) Aesthetics, ethics, and rock art conservation: How far can we go? The case of recent conservation tests carried out in un-engraved outcrops in the Coa Valley, Portugal. (Antonio Pedro Batarda Fernandes); 11) Afterthoughts: What I have learnt (John Clegg); 12) Is there a place for aesthetics in the study of Pleistocene visual cultures? (April Novell).
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do we have the answers? What makes some rock art unforgettable
Does aesthetics have perceptual roots?
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2004 Rock Carvings Aboriginal aesthetic Aesthetics and Rock Agra congress 2004 amygdala Anbangbang animal Archaeological Arnhem Land Arqueologia art object art rupestre artistic Ashgate Australia Belo Horizonte Borneo Bresil Brynach Bushman Carvings of Ladakh caves century Coa Valley composition CONKEY context cross-cultural cultural appropriation d'une decorated depictions Diamantina Dictionary Documentation and Conservation drawing Dynamic engraved outcrops ensemble esthetique ethical etiquette example fish formal markers hand group hand stencils hegemonic Hieratic human hunter gatherer I'art ibex imagery images individuals Jamwal John Clegg Ladakh Ladakh from Jamwal Ladakh Himalaya Lewis-Williams Llanwnda macropod meme Minas Gerais monuments motif narrative original panel patterns Pembrokeshire Penascosa perception petroglyphs photographs Pleistocene prehistoric PROUS recent relevant representation rock art Rock Art Research rock art sites scenes social society stone surface symbols T.L. Thsangspa Thomas HEYD Thsangspa 2004 Rock tradition Planalto transculturation Type-Rock Upper Palaeolithic Val Camonica viewer visual Wales