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North Indian Classical Music
The Raga System
The Theory of Emotive Elements of Raga Music
3 other sections not shown
Alapa Amsha Amsha note analyse Anuvadi Arohan artiste audience Bhimpalashi brackets called column composition concept consonant Dha Dhin Dhin Dhin Dhin Dha Dhrupada emotive element expectation five notes group of left-out harmonic music Heptatonic human Iman Indian classical music Indian music instrumentalist inter-relation of notes Johnny Kafi Kafi scale Kalyan Karima key note Khali Khanda Meru diagram Kheyal Komal Ray last note left-out notes listeners matra mNdP mNdS musical sound musician natural sequence NDMP North Indian Classical particular Raga particular sentiment percussion percussion instruments permutation permutation of notes phrases Prastara preceeded Raga Iman Raga music RDNP rhythm Samvadi Sanscrit Text Sarode second square sequence of notes serial number seven notes Shivaranjani shrutis Sitar six notes song or Gat Surbahar Tala Tarparan Thata Theka third note third square Tritala twelve notes Uddista Vadi variations Vistar