Aesthetics of Renewal: Martin Buber's Early Representation of Hasidism as Kulturkritik

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University of Chicago Press, May 15, 2009 - Religion - 240 pages
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Martin Buber’s embrace of Hasidism at the start of the twentieth century was instrumental to the revival of this popular form of Jewish mysticism. Hoping to instigate a Jewish cultural and spiritual renaissance, he published a series of anthologies of Hasidic teachings written in German to introduce the tradition to a wide audience. In Aesthetics of Renewal, Martina Urban closely analyzes Buber’s writings and sources to explore his interpretation of Hasidic spirituality as a form of cultural criticism.   For Buber, Hasidic legends and teachings were not a static, canonical body of knowledge, but were dynamic and open to continuous reinterpretation. Urban argues that this representation of Hasidism was essential to the Zionist effort to restore a sense of unity across the Jewish diaspora as purely religious traditions weakened—and that Buber’s anthologies in turn played a vital part in the broad movement to use cultural memory as a means to reconstruct a collective identity for Jews. As Urban unravels the rich layers of Buber’s vision of Hasidism in this insightful book, he emerges as one of the preeminent thinkers on the place of religion in modern culture.
 

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Contents

Introduction
1
1 Bubers Hermeneutic Horizon
16
2 The Anthology and the Jewish Renaissance
29
3 Zionist Anthologies
40
4 In Search of Collaborators
55
5 The Galician Circle of Elusive Collaborators
60
6 Ahad Haams Theory of Culture Revised
70
The Crisis of Perception
76
Between Mystical Aesthetics and Lebensphilosophie
94
9 A Phenomenology of Hasidic Mysticism
116
Conclusion
156
Bubers Sources for Die Legende des Baalschem
164
Notes
169
Bibliography
217
Index
229
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About the author (2009)

Martina Urban is assistant professor in the Department of Religious Studies at Vanderbilt University.

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