Affective Mapping: Melancholia and the Politics of Modernism

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Harvard University Press, Nov 28, 2008 - Biography & Autobiography - 263 pages

The surprising claim of this book is that dwelling on loss is not necessarily depressing. Instead, Jonathan Flatley argues, embracing melancholy can be a road back to contact with others and can lead people to productively remap their relationship to the world around them. Flatley demonstrates that a seemingly disparate set of modernist writers and thinkers showed how aesthetic activity can give us the means to comprehend and change our relation to loss.

The texts at the center of Flatley’s analysis—Henry James’s Turn of the Screw, W. E. B. Du Bois’s The Souls of Black Folk, and Andrei Platonov’s Chevengur—share with Freud an interest in understanding the depressing effects of difficult losses and with Walter Benjamin the hope that loss itself could become a means of connection and the basis for social transformation. For Du Bois, Platonov, and James, the focus on melancholy illuminates both the historical origins of subjective emotional life and a heretofore unarticulated community of melancholics. The affective maps they produce make possible the conversion of a depressive melancholia into a way to be interested in the world.

 

Contents

Modernism and Melancholia
28
Melancholias History
33
Shadow and Precipitate
41
Transference or Affects in Psychoanalysis
50
Affective Mapping
76
Reading into Henry James Allegories of the Will to Know in The Turn of the Screw
85
Reading Into
87
Lost or How Autonomy Can Be Depressing
93
Du Bois contra Wagner
131
The Musical Epigraphs
141
Echo
145
Andrei Platonovs Revolutionary Melancholia Friendship and Toska in Chevengur
158
The Wooden Frying Pan versus the Wisdom of the Fish
163
I Am Like It
173
The Eunuch of the Soul
179
Mutual Futile Attractions
185

On the Use and Misuse of Ghosts for Life But I see ghosts everywhere
95
What a Mourning Propaganda and Loss in WEB Du Boiss Souls of Black Folk
105
Sam Hose and the Turn to Propaganda
108
Problem
113
Double Consciousness as Collective Melancholia
117
Notes
193
Acknowledgments
249
Index
255
Copyright

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About the author (2008)

Jonathan Flatley is Associate Professor of English, Wayne State University.

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