African Americans and Popular Culture [3 volumes]

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Todd Boyd
ABC-CLIO, Oct 30, 2008 - Social Science - 836 pages
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The African American influence on popular culture is among the most sweeping and lasting this country has seen. Despite a history of institutionalized racism, black artists, entertainers, and entrepreneurs have had enormous impact on American popular culture. Pioneers such as Oscar Michaeux, Paul Robeson, Satchel Paige, Josh Gibson, Langston Hughes, Bill Bojangles Robinson, and Bessie Smith paved the way for Jackie Robinson, Nina Simone, James Baldwin, Bill Russell, Muhammad Ali, Sidney Poitier, and Bill Cosby, who in turn opened the door for Spike Lee, Dave Chappelle, Dr. Dre, Jay-Z, Tiger Woods, and Michael Jordan. Today, hip hop is the most powerful element of youth culture; white teenagers outnumber blacks as purchasers of rap music; black-themed movies are regularly successful at the box office, and black writers have been anthologized and canonized right alongside white ones. Though there are still many more miles to travel and much to overcome, this three-volume set considers the multifaceted influence of African Americans on popular culture, and sheds new light on the ways in which African American culture has come to be a fundamental and lasting part of America itself.

To articulate the momentous impact African American popular culture has had upon the fabric of American society, these three volumes provide analyses from academics and experts across the country. They provide the most reliable, accurate, up-to-date, and comprehensive treatment of key topics, works, and themes in African American popular culture for a new generation of readers. The scope of the project is vast, including: popular historical movements like the Harlem Renaissance; the legacy of African American comedy; African Americans and the Olympics; African Americans and rock 'n roll; more contemporary articulations such as hip hop culture and black urban cinema; and much more. One goal of the project is to recuperate histories that have been perhaps forgotten or obscured to mainstream audiences and to demonstrate how African Americans are not only integral to American culture, but how they have always been purveyors of popular culture.

 

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About the author (2008)

Todd Boyd is Professor of Critical Studies in U.S.C.'s School of Cinematic Arts, where he also holds the Katherine and Frank Price Endowed Chair for the Study of Race and Popular Culture. Boyd is an accomplished author, media commentator, producer, and consultant. His six books include The Notorious Ph.D's Guide to the Super Fly 70s: A Connoisseur's Journey Through the Fabulous Flix, Hip Sounds, and Cool Vibes That Defined a Decade (2007), Young, Black, Rich, and Famous: The Rise of the NBA, the Hip Hop Invasion, and the Transformation of American Culture (2003), Basketball Jones: America above the Rim (2000), Out of Bounds: Sports, Media and the Politics of Identity (1997),Am I Black Enough For You?: Popular Culture from the 'Hood and Beyond (1997), and The New H.N.I.C: The Death of Civil Rights and the Reign of Hip Hop (2002), which was cited in Vibe magazine's 10th anniversary issue (2003) as one of the landmark books written on hip hop culture.

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