African Stars: Studies in Black South African Performance

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University of Chicago Press, Sep 24, 1991 - Music - 214 pages
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In recent years black South African music and dance have
become ever more popular in the West, where they are now
widely celebrated as expressions of opposition to
discrimination and repression. Less well known is the
rich history of these arts, which were shaped by several
generations of black artists and performers whose
struggles, visions, and aspirations did not differ fundamentally
from those of their present-day counterparts.

In five detailed case studies Veit Erlmann digs deep to expose the roots of the most important of these performance traditions. He relates the early history of isicathamiya, the a cappella vocal style made famous by Ladysmith Black Mambazo.

In two chapters on Durban between the World Wars he charts the evolution of Zulu music and dance, studying in depth the transformation of ingoma, a dance form popular among migrant workers since the 1930s. He goes on to
record the colorful life and influential work of Reuben T. Caluza,
South Africa's first black ragtime composer. And Erlmann's reconstruction of the 1890s concert tours of an Afro-American vocal group, Orpheus M. McAdoo and the Virginia Jubilee Singers, documents the earliest link between the African and American performance traditions.

Numerous eyewitness reports, musicians' personal testimonies, and song texts enrich Erlmann's narratives and demonstrate that black performance evolved in response to the growing economic and racial segmentation of South African
society. Early ragtime, ingoma, and isicathamiya enabled the black urban population to comment on their precarious social position and to symbolically construct a secure space within a rapidly changing political world.

Today, South African workers, artists, and youth continue to build upon this performance tradition in their struggle for freedom and democracy. The early performers portrayed by Erlmann were guiding lights—African stars—by which the present and future course of South Africa is being determined.
 

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African stars: studies in Black South African performance

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Erlmann (anthropology, Freie Universat, Berlin) writes with sympathetic authority on the South African musicians, composers, and dancers of the late 19th and early 20th centuries who paved the way for ... Read full review

Contents

Introduction
1
A Feeling of Prejudice Orpheus M McAdoo and the Virginia Jubilee Singers in South Africa 18901898
21
Cultural Osmosis Ethnicity and Tradition in Black Popular Music in Durban 19131939
54
Horses in the Race Course The Domestication of Ingoma Dance 19291939
95
An African Star Reuben T Caluza and Early Popular Music in South Africa
112
Singing Brings Joy to the Distressed The Early Social History of Zulu Migrant Workers Choral Music
156
Conclusion South African Black Music and the Wider African Field
175
Notes
183
References
195
Index
207
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About the author (1991)

Veit Erlmann holds the Endowed Chair of Music History at the University of Texas at Austin's Butler School of Music.

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