African Art as Theatre: The Mount Collection, Issue 4 |
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actors added aesthetic African art agricultural Akan antelope appear approach appropriate Art as Theatre art in Africa associated audience Bambara beads beautifully bells Benin Bronze brown carefully carry carved central ceremonial character Chi Wara College Art Gallery color composition costuming cowries cues dance define depict dimensions direction divination dramaturgical earth Ekpo elaborate elements Ere Ibeji example exhibition farmer field Figure Wood forms further Gelede gestures hand head headdresses human important iron Ivory Coast LIBRARIES lighting linked make-up Mali Mask Wood maskers masquerades memorial messengers Mount Collection Nigeria objects Ogboni orientation Pair particular performance period persons perspective play presentation props provides respect role sacred sculptures seen selection Senufo serve Shrine significance sound effects staffs stage sets STANFORD Studies supernatural Suzanne Preston Blier symbolic theatrical themes traditional turn understanding University various Vassar College Art village Wara wear whole women York Yoruba
Bibliographic information
| Title | African Art as Theatre: The Mount Collection, Issue 4 African Art as Theatre: The Mount Collection, Vassar College. Art Gallery |
| Authors | Suzanne Preston Blier, Vassar College. Art Gallery |
| Publisher | Vassar College Art Gallery, 1980 |
| Length | 14 pages |
| Export Citation | BiBTeX EndNote RefMan |