After a Fashion
Fashion is more that supermodels in odd clothes pouting and pirouetting on Parisian catwalks. Commentators and theorists have variously seen fashion as a social, economic or aesthetic force, or sometimes as all three at once. Fashion helps to form our individual identities and lets us stand out from the crowd. Fashion appears to be novel. At the same time it preserves the status quo: it makes us think that change is occurring when the opposite is closer to the truth. After a Fashion investigates the different sides of this hybrid phenomenon. Joanne Finkelstein considers fashion in its various guises-as body decoration and costume, as a language and form of irrational play, as an expression of sexuality and part of the urban experience. Drawing on economics, art psychology, commerce, history and the everyday, she traces and analyses the multiple influences that, in the name of fashion, affect the ways we think and act.
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The Elusive Origins of Fashion
Speaking of Fashion
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adornment advertising aesthetic analysis appearance Arbus Arbus's argues that fashion Baudrillard become Bell Bergler body Cixous Coco Chanel codes colours commodities conspicuous consumer consumerism consumption contemporary conventional costume created cultural capital David Buchbinder department store describes designed desire differentiation display economic eroticised everyday example express fashion houses fashion industries fashion item fashion magazines fashion photography fashion styles female feminine function gender Georg Simmel gesture haute couture human ibid idea images imitate individual's individuals instance Jeanne Lanvin kleptomania Lipovetsky look Lurie male marketing masculine meaning modern necktie nineteenth-century objects one's photograph pleasure political popular practices produced psychological Quentin Bell recognised Rei Kawakubo Rykiel sense sexual shoppers signify Simmel social position society Sonia Rykiel specific status structure style of dress sumptuary laws symbolic tastes theory Thorstein Veblen twentieth century urban Veblen view that fashion visual Vivienne Westwood wear women Yves Saint Laurent