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DOES THE TRACE REMAIN?
CYNICISM AND THE CHOICE OF ACTION
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abstract painting acrylic on canvas aesthetic Alison Knowles American anti-style appear appropriate art market art world Artaud avant-garde became become Bread and Water Bruce Conner Carolee Schneemann Clement Greenberg Conceptual art conscious construct context Courtesy the artist critic cyanotype cynicism decade deconstruction dialectical discourse displacement distancing effects Eighties endgame environment essays evolve experience expressionist fact film floor formalism formalist French theory function Gallery photo gaze hyper-real ideas inches Inner-Directed Artist issues Jacques Roch James Tenney Jeff Koons Joseph Nechvatal kind kitsch language late modernism late Seventies Lawrence Weiner mainstream marketplace mass culture meaning Miles Davis modernist narrative Nechvatal's notion objects one's overdetermined Pagk painter play political postmodernism relation relationship representation Robert Longo Russian formalism Schneemann Schor sculpture sense Sherrie Levine signified signs Sixties social space specific standards strategies structure style surface theoretical tion trendy Viet Flakes viewer visual Weiner Wye's York