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The Buddha Image
The Six Limbs of Paintings
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7th century 7th century A.D. Abanindranath accepted Aihole Ajanta Amaravati amongst animal architecture artists Aryan Badami belong Bhava Bhuvaneshwar blossom Borobudur Brahmin breath Brihadeshwara temple bronze Buddha Buddhist bull Calcutta carved carver cave centre Ceylon charm colour contemporary cults culture decorative divinity Dravidians Durga early elegant elephants Ellora enlightenment epics European example expression eyes face faith fifth century figures frescoes Gandhara gods grace gradually grandeur Gupta Harappa Hindu human ideal idiom Indian art individual Indus Valley Islam Jain Kali Karle Khajuraho Konarak Krishna living London magic Mamallapuram Mathura mind Mohenjo-daro mood mother goddess motifs movement Mughal Museum ornaments Padmapani painter paintings Pallava panel Parvati Pattadkal period Persian plastic sensibility plate Rajput Ramayana realisation reliefs renaissance rich rituals rounded Sanchi Sarnath sculptures seen sensuous seventh century A.D. Shaivaite Shiva sikhara smile space spiritual stands stone structure stupa symbol technique temple tion varna Vedic visual vitality whole yakshi