Alban Berg: Master of the Smallest Link
Cambridge University Press, 1991 - Biography & Autobiography - 156 pages
Adorno's study of Alban Berg is a unique document. Itself now a part of music history, it is a personal account, by a pre-eminent philosopher and aesthetician, of the life and musical works of his mentor, friend and composition teacher. Shortly after Berg's death in 1935, Adorno contributed several analyses to the first Berg biography. Thirty years later he incorporated these chapters and several subsequent essays into one volume. Beyond analyses of individual pieces, the book explores the historical and cultural significance of Berg's music, its relationship to that of other twentieth-century composers, and to the larger issues of contemporary life. This is a classic study, made available here for the first time in English, and it provides a key to understanding Adorno himself as well as offering an individual perspective on one of the major composers of the twentieth century.
What people are saying - Write a review
We haven't found any reviews in the usual places.
Seven Early Songs
First String Quartet
The Altenberg Songs
Toward a characterization of Wozzeck
Epilogomena to the Chamber Concerto
Experiences with Lulu
About the text
Adornos principal writings on Berg
Other editions - View all
accompanimental Adagio Adorno aesthetic Alban Berg Altenberg Songs analysis appearance artistic banality Baudelaire Baudelaire's become beginning Berg's music cello Chamber Concerto Chamber Symphony character chord chordal clarinet Clarinet Pieces completely composer compositional conclusion consequent phrase construction contrasting idea counterpoint dissonance element entire Ernst Krenek Example expression extremely fact formal Frankfurt function Gedachtnis an Alban Hanna Fuchs-Robettin harmonic Helene Berg illusion instrumental kind Kraus Krenek later Lulu Lulu's Lyric Suite Mahler material means melodic minor second objective oeuvre once opera Orchestral Pieces paradigm passage Piano Sonata principal theme Quartet relationship remains reminiscent remnant reprise retrograde rhythm rondo scene scherzo Schoenberg Schreker score second theme Second Viennese School secondary theme sense smallest link sonata form sonority sound string structure style stylistic tempo texture thematic third tonal tone traditional transformed transition translation twelve-tone technique variation Vienna Viennese viola Violin Concerto voice Webern Wedekind Wein Willi Reich work's Wozzeck