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A small group as a model for composition
Voices of a multitude
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abstract affective Ahura Mazda alto and/or Anhalt appear articulation baritone begins behaviour Berio Boosey & Hawkes breathing Canadian Music Centre chant character choir choral chorus chromatic complex composer's composers composition connotations consists constitute Coro d'Henri Michaux duration dynamics Eight Songs elements Eliade ensemble example expression Figure fragments hierophany human idea individual instrumental intonation Istvan Anhalt Kagel labels language layer Ligeti linguistic Lutoslawski Mad King Madrasha magical meaning measure melodic ment movement mystical notation notes Nouvelles Aventures onomatopoeic orchestra paralinguistic passage pattern percussion performance perhaps phonemes piano piece Pierrot lunaire pitch pitch-classes poem polyphony recitation refer relationship repertoire repetition role scene Schafer's Schnebel score seems Sequenza shows silence singers singing solo soprano sounds speaking speech Stockhausen structures suggests techniques Testa d'Adriane theatre theme tion tone Toronto Trois types Universal Edition utterance vocal vocalists voice quality vowel words Zoroaster