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The Aesthetic Experience
The Nature of Art
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Abhinavabharati Abhinavagupta abstract according actual aesthetic emotion aesthetic experience aesthetic response alamkara analysis ananda Anandavardhana aroused art activity Art and Aesthetics Art and Scholasticism art object art-work aspect attitude beauty Bharata Clive Bell concept consciousness Contd Coomaraswamy created creative dhvani distinction drama E.B. Havell elements emphasise essence essential evocation evoke expression fact feeling Gnoli Hospers human ibid identification implies Indian aestheticians Indian aesthetics Indian art Indian theory Indian thought individual inner intuition intuitive knowledge Irwin Edman James Cousins John Hospers judgement kind knowledge logical meaning mental metaphysical mind Mulk Raj Anand nature Natyasastra ordinary perception Philosophy pleasure poetic poetry present principles pure Rabindranath Tagore realisation reality refer religious Sanskrit sense sensuous spectator spectator's spiritual Susanne Langer Taittiriya Upanishad taste term theory of art things tion traditional Indian transcended truth unique universal Upanishads view of art whereby wherein words