An Essay on Practical Musical Composition, according to the Nature of that Science and the Principles of the greatest Musical AuthorsAuthor, 1799 |
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accompaniment according alfo alſo Anſwer Bach Baffoon Baſs becauſe begins beſt Cadence calculated Canon caſes Chap characteriſtics Clarinett clef compofition compoſed Concertos confequently confift conſiſt conſtructed Counterpoint deſcription diſtance double Fugues Effay on Harmony example F clef faid fame fecondly fee at Plate fhall fhew fhewn fifth fimilar fimple finging firft firſt follows fome four fourth fuch fufficiently given melody Handel imitation inftruments Intermediate Harmony intervals introduced itſelf Key and Mode laſt latter manner meaſure mentioned Modulation moſt movement Mufic muſical muſt notes obligato obſerved occafionally Octave Orcheſtra paffages particular paſſages Pedals Piano Forte pieces preſent principal key purpoſe queſtion Recitative regard reply reſpecting reverſe Rule ſaid ſame ſcale Sebaftian ſecond Section ſee ſet ſhall ſhort ſhould Solos ſome Sonatas ſort ſpeak ſtands ſtudy ſubject ſuch Symphonies Tenor theſe third thofe thoſe treble Unifon uſed variety verſe Violin vocal written