An Essay on the Picturesque, as Compared with the Sublime and the Beautiful: And, on the Use of Studying Pictures, for the Purpose of Improving Real Landscape, Volume 1 |
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admired againſt alfo almoſt alſo appear artiſts buſhes cafe caufes cauſes character circumſtances Claude cloſe clumps colour confequently deformity deftroyed diftinct diſtinguiſhed effect effential expreffion faid fame feems feen fenfations fenfe feparate fhade fhew finiſhed firſt fome fometimes fource freſhneſs ftill ftones ftrong ftrongly fubject fublime fuch fudden furface fymmetry Gilpin grandeur ground higheſt idea improver infipidity inftance intricacy itſelf juſt landſcape leaſt lefs leſs lights and fhadows maffes moft moſt muft muſt nature nefs neral obferved objects oppofite ornament paffage painter painting perfon Picturefque Beauty pictureſque Pindar planted pleafing pleaſe pleaſure poliſhed prefent principles purpoſe qualities racter reaſons reſpect rough roughneſs ſcenery ſcenes ſeems ſeen ſenſe ſeparate ſhade ſhould ſmooth ſmoothneſs ſpot ſpring ſtate ſtill ſtones ſtriking ſtudied ſtyle ſuch ſuppoſe tafte taſte thefe themſelves theſe thofe thoſe tints tion Titian trees turefque uglinefs uſe variety whofe whole whoſe wood