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ON THE MEANING OF BEAUTY
n SOME CONTRARY VIEWS
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aesthetic experiences aesthetic materials aesthetic situation alleged common nature alternative azurite Bacchus and Ariadne beauty in fact Cezanne character coherence common to diverse compared comparison complex composition consist constituents context criteria criterion critical appreciation degrees of resemblance design of Titian's determinate resemblances discriminated distinct diverse hues diverse resemblances division of tones Emile Bernard evaluation example felt materials felt situation Flemish paintings form drawing gesso green immanent expression impasto Impressionist interest intrinsic order Juan Gris less resembling luminosity M. A. Murray matter means method Monet nature or form object orange order of hues orpiment painter painting pastiglia percipient pigments Pissaro pitches properly called purple qualitative identity qualities and relations question reality reason referent referential expression repeated resem respect Romanesque sculpture satisfaction sculpture shade silhouette single statement sure Tell el Amarna tempera term resemblance term verbal theory things tion Titian's Bacchus virtue yellow