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COLOR AND LIGHT
THE PHYSICAL NATURE OF LIGHT
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700 Wavelength m/i actual adaptation afterimage alizarin crimson amount appear artist Beer's law blue brightness calculated chapter chromaticity color photography color temperature color vision colorimetry concentration considered daylight diagram diffuse direct discussed distance dominant wavelength duced effect emulsion energy distribution fact filter given gray green illumination intensity involved layer light falling light reaching light source lines look luminance match material matte surface measurements mental mixture monochromatic normal object observer obtained occipital lobes Optical Society paint pair particles perception photograph physical pigment plotted possible produced properties psychophysical range ratio reaching the eye receptor Reflectance curves region relative represent result retina sample saturation scene seen selective action sensitivity shadow shown in Fig spectral spectrophotometric spectrum stimulus surface reflection tend tion transmittance curves transmitted transparent variables varies viewed vision visual white light yellow