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COLOR AND LIGHT
THE PHYSICAL NATURE OF LIGHT
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700 Wavelength m/z actual adaptation afterimage alizarin crimson angle appear artist beam Beer's law black body blue brightness calculated chapter chromaticity color color photography color temperature color vision colorimetry concentration considered daylight diagram diffuse direct discussed distance dominant wavelength effect emulsion energy distribution fact given gray green illumination intensity involved layer lens light falling light reaching light source lines luminance match material matte surface measurements mental mixture monochromatic object observer Optical Society paint particles perception photograph photometry physical pigment plotted possible produced properties psychological psychophysical radiation range ratio reaching the eye receptor Reflectance curves region relative represent result retina sample saturation scene seen sensitivity shadow shown in Fig spectral spectrophotometric spectrum stimulus temperature tend tion transmittance curves transmitted transparent variables vary viewed vision visual white light Wratten Filter yellow