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COLOR AND LIGHT
THE PHYSICAL NATURE OF LIGHT
Spectrophotometer 11 188 190 191 193 202
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600 Wavelength m/i actual adaptation afterimage alizarin crimson angle appear artist Beer's law black body blue brightness calculated chapter chromaticity color color photography color temperature color vision colorimetry concentration considered daylight diagram diffuse direct discussed distance dominant wavelength effect emulsion energy distribution equal fact filter given gray green illumination intensity involved layer lens light falling light reaching light source lines look luminance match material matte surface measurements mental monochromatic normal object observer occipital lobes paint pair particles perception photograph physical pigment plotted possible produced properties psychophysical radiation range ratio reaching the eye receptor Reflectance curves region relative represent result retina sample saturation scene seen selective action sensitivity shadow shown in Fig spectral spectrophotometric spectrum stimulus sunlight tend tion transmittance curves transmitted variables varies viewed vision visual white light yellow