Confronting Reality: An Introduction to Television Documentary
This lively introduction to television documentaries spotlights their history, production and reception, principal forms and functions and their adaptation to today’s programming needs. What impact has television's growing commercialisation had on the type of documentary broadcast? What has led to the introduction of an increasing number of hybridised forms? These questions are addressed within an examination of the role of institutions, documentary’s 'special relationship' with the real, and an insight into how audiences interpret the documentaries they view. Confronting reality has been written with the requirements of media studies students in mind, yet it is a must for everyone concerned with recording reality in the fast-changing world of television today.
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Mapping out the terrain
How real can you get?
Shaping the real
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actually aesthetic appear argument audience British Documentary Movement broadcasters camera channels Chapter cinema verite claim co-production concerned conventions Crimewatch Crimewatch UK critical cultural devices direct cinema docu documen documentary film documentary production drama-documentary dramatic dramatised editing effect emphasis employed example expository mode fact fiction film film makers footage format forms of programming function genre Granada Television Grierson historical world images impact individual instance institutions interview involved issues John Grierson lives Lockerbie material means mentary narrative narrator Nichols nowadays observational particular People's Century perspective political present produce programme makers programme's question re-enactment real world reality programming recognise reconstruction record refer reflexive response Robert Flaherty Roger Graef role schedule screen seen sense sequences shots social story strategies structure style Sylvania Waters tary techniques television documentary tion topic types of documentary typical usually viewers Whilst words