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CHAPTER PAGE 1 A Point of View 3
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absolute pitch aesthetic response affective reactions affective responses Amer artistic attributes beat C. E. Seashore capacity cent Chapter chords compositions considered consonance consonance and dissonance correlation decibels dissonance effects of music experience experimental factors Farnsworth feeling frequency function galvanic skin response harmony hearing Heinlein Hevner Ibid increase individual instruments intensity intervals Kwalwasser learning listener loudness Measures of Musical Measuring musical melody method Monogr Mursell music New York musical ability musical behavior musical responses musical stimuli musical talent musical taste musicians notes octave organism overlearning overtones perception performance piano pitch discrimination played Psychol psychology of music reference reliability repetition reported responses to music rhythm rhythmic response S. S. Stevens scale Schoen score Seashore Measures Seashore test selections singing sound wave stimulus stimulus object subjects tempo tests of musical tetrachord theory timbre tion tonal memory tuning fork validity vibrational violin voice