Andre Bazin's New MediaUniv of California Press, 4 oct. 2014 - 352 pages André Bazin’s writings on cinema are among the most influential reflections on the medium ever written. Even so, his critical interests ranged widely and encompassed the "new media" of the 1950s, including television, 3D film, Cinerama, and CinemaScope. Fifty-seven of his reviews and essays addressing these new technologies—their artistic potential, social influence, and relationship to existing art forms—have been translated here for the first time in English with notes and an introduction by leading Bazin authority Dudley Andrew. These essays show Bazin’s astute approach to a range of visual media and the relevance of his critical thought to our own era of new media. An exciting companion to the essential What Is Cinema? volumes, André Bazin’s New Media is excellent for classroom use and vital for anyone interested in the history of media. |
Table des matières
| 1 | |
| 35 | |
PART TWO TELEVISION AMONG THE ARTS | 73 |
PART THREE TELEVISION AND SOCIETY | 103 |
PART FOUR TELEVISION AND CINEMA | 143 |
PART FIVE CINERAMA AND 3D | 213 |
PART SIX CINEMASCOPE | 265 |
PART SEVEN FINALE | 311 |
A Selective Reference Guide to 1950s French Television | 319 |
| 327 | |
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12 Angry Men Abel Abel Gance actors adapted aesthetic already American André André Bazin angle appear artistic audience Bazin Cahiers du Cinéma camera cinema CinemaScope cinematographic Cinerama Claude Claude Barma close-up color critical cultural dimensions directed director documentary dramatic evolution exhibitors experience fact Festival film filmmaker format frame France François Frédéric Rossif French television French TV genres Hitchcock Hollywood illusion imagine intimacy Jacqueline Joubert Jacques Jean Jean Renoir Lalou least lens live broadcast Marcel Marcel Moussy mise-en-scène montage movie theaters never NOTES novel original Paris perhaps Pierre Pierre Sabbagh play precisely problem producers programs projection psychological radio Radio-Cinéma-Télévision realism remains Renoir Roberto Rossellini Rossellini Rossif Sacha Guitry seems shooting shot sion small screen space speakerine spectacle spectator stage stereoscopic studios technical technological telecinema télévision Thévenot things tion viewers VistaVision watch widescreen
