Andy Warhol

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MIT Press, 2001 - Art - 133 pages
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Andy Warhol (1928-1987), one of the most celebrated artists of the last third of the twentieth century, owes his unique place in the history of visual culture not to the mastery of a single medium but to the exercise of multiple media and roles. A legendary art world figure, he worked as an artist, filmmaker, photographer, collector, author, and designer. Beginning in the 1950s as a commercial artist, he went on to produce work for exhibition in galleries and museums. The range of his efforts soon expanded to the making of films, photography, video, and books. Warhol first came to public notice in the 1960s through works that drew on advertising, brand names, and newspaper stories and headlines. Many of his best-known images, both single and in series, were produced within the context of pop art. Warhol was a major figure in the bridging of the gap between high and low art, and his mode of production in the famous studio known as "The Factory" involved the recognition of art making as one form of enterprise among others. The radical nature of that enterprise has ensured the iconic status of his art and person.Andy Warhol contains illustrated essays by Benjamin H. D. Buchloh, Thomas Crow, Hal Foster, Rosalind Krauss, Annette Michelson, and Nan Rosenthal, plus a previously unpublished interview with Warhol by Buchloh. The essays address Warhol's relation to and effect on mass culture and the recurrence of disaster and death in his art.

 

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Contents

19561966 1989
1
Trace and Reference in Early Warhol 1996
49
Death in America 1996
69
Where Is Your Rupture? Mass Culture and the Gesamtkunstwerk 1991
91
Carnal Knowledge 1996
111
An Interview with Andy Warhol 1985
119
Index of Names
131
Copyright

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About the author (2001)

Andy Warhol was an accomplished advertising illustrator and graphic artist before he became well-known as a Pop artist and celebrity. He died in 1987.

AAnnette Michelson is Professor Emeritus in the Department of Cinema Studies at New York University. A founding editor of the journal October, she has written on art and cinema for more than five decades.

Benjamin H. D. Buchloh is Andrew W. Mellon Professor of Modern Art in the Department of History of Art and Architecture at Harvard University and an editor of October magazine. He is the author of "Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975" (MIT Press) and other books.

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