Angels of Art: Women and Art in American Society, 1876-1914

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Penn State Press, Jun 11, 2004 - Social Science - 304 pages

Images of women were ubiquitous in America at the turn of the last century. In painting and sculpture, they took on a bewildering variety of identities, from Venus, Ariadne, and Diana to Law, Justice, the Arts, and Commerce. Bailey Van Hook argues here that the artists' concepts of art coincided with the construction of gender in American culture. She finds that certain characteristics such as &"ideal,&" &"beautiful,&" &"decorative,&" and &"pure&" both describe this art and define the perceived role of women in American society at the time.

Most late nineteenth-century American artists had trained in Paris, where they learned to use female imagery as a pictorial language of provocative sensuality. Van Hook first places the American artists in an international context by discussing the works of their French teachers, including Jean-L&on G&r&me and Alexandre Cabanel. She goes on to explore why they soon had to distance themselves from that context, primarily because their art was perceived as either openly sensual or too obliquely foreign by American audiences. Van Hook delineates the modes of representation the American painters chose, which ranged from the more traditional allegorical or mythological subjects to a decorative figure painting indebted to Whistler. Changing American culture ultimately rejected these idealized female images as too genteel and, eventually, too academic and European.

Angels of Art is the first study to discuss the predominance of images of women across stylistic boundaries and within the wider context of European art. It relies heavily on contemporary sources both to document critical responses and to find intersecting patterns in attitudes toward women and art.

 

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Contents

INTRODUCTION
1
IDEAL WOMEN AS THE INTERNATIONAL LANGUAGE OF ART
15
THE RETURN HOME WHAT TO PAINT?
49
IDEAL WOMEN IN LATE NINETEENTH CENTURY AMERICAN ART MODES OF REPRESENTATION
69
MODES OF REPRESENTATION CONTINUED MURAL PAINTING
111
IDEAL AND REAL
133
BEAUTIFUL AND DECORATIVE
159
PURE AND AMERICAN
187
EPILOGUE
209
NOTES
221
WORKS CITED
265
INDEX
281
Copyright

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About the author (2004)

Bailey Van Hook is Associate Professor of Art History at Virginia Polytechnic Institute and State University.

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