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The Buto Aesthetic and a Selection
Analysis of Niwa The Garden
2 other sections not shown
Amagatsu Ushio Ankoku Buto Ankoku Buto-ha artists attempt audience avant avant-garde become beginning beshimi burakumin But5 Buto aesthetic Buto dancers Buto group Buto movement Buto's character created critical culture curtain call dance form dance movement darkness Donald Richie Drama Edo period Eguchi essay expression Flesh Forbidden Colors fragmentation ganimata ghost Goda Nario grotesque Harpham Hijikata Tatsumi Hoppo Buto-ha human Ichikawa Miyabi individual influence Iwabuchi Keisuke Jameson Japan jo-ha-kyu Juku's Kabuki Kabuki actors kata Kazuo Ohno kind kinesphere kumadori Kunio Laban's Maezawa mainstream dance mask meaning metamorphosis metaphor metempsychosic Mishima Yukio modern dance Muteki-sha Nakajima natural Nikutai Niwa The Garden Ohno and Hijikata Ohno Kazuo Ohno's Ojima original Paradigm of Buto performance play political postmodern postmodern dance premodern program notes ritual Sankai Juku seen sense Shingeki society space stage stance structure style symbolic technique theatrical Tokyo translated unpaginated Western dance white makeup woman Yanagita Yanagita Kunio Zengakuren