Annual Review of Jazz Studies, Volume 14
Evan Spring, Edward Berger, George Bassett, Henry Martin, Dan Morgenstern
Scarecrow Press, Jun 1, 2009 - Music - 232 pages
The Annual Review of Jazz Studies (ARJS) is a journal providing a forum for the ever expanding range and depth of jazz scholarship, from technical analyses to oral history to cultural interpretation. Addressed to specialists and fans alike, all volumes include feature articles, book reviews, and unpublished photographs. This 14th issue contains four intriguing articles that to some degree contravene accepted precepts of jazz orthodoxy. John Howland traces the connection between Duke Ellington's extended works and the "symphonic jazz" model of the 1920s as exemplified by Paul Whiteman and his chief arranger, Ferde Grofe. Horace J. Maxile Jr. takes an unfashionably broad perspective of Charles Mingus's "Ecclusiastics," applying recent developments in cultural theory as well as the formal tools of traditional music theory. Brian Priestley's exploration of the ties between Charlie Parker and popular music challenges the canonical depiction of Parker as a lone revolutionary genius, instead underscoring the saxophonist's ties to the popular music of his time. Finally, John Wriggle presents an extensive examination of the life and work of arranger Chappie Willet, an unsung hero of the Swing Era. The book reviews cover a cross-section of the burgeoning jazz literature, and Vincent Pelote has again compiled a list of books received at the Institute of Jazz Studies."
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Annual Review of Jazz Studies: Special Issue on Jazz Music Theory
No preview available - 1997
African American Apollo April band parts housed band’s bandleader BB&B Benny big band Bill Chase Black Blue Devils Blue Rhythm Fantasy Broadway Brown and Beige cadenza Calloway Chappie Willet Charlie Parker Chicago Defender chord chorus classical composer composition Connie’s Cotton Club Creole Rhapsody critical Cromer cultural dance band Decca Discography Duke Ellington Duke Ellington Collection Ecclusiastics ensemble episodic Example extended featured formal Gene Krupa Harlem harmonic Henry Nemo Hill’s idiom Interlude interview Intro Irving Irving Mills Jimmie Lunceford lead sheet Louis Armstrong Lucky Millinder melodic Mingus motivic Museum of American musicians Note novelty orchestra Oxford University Press Paul Whiteman phrase Piano solo popular music published ragtime recorded Red Norvo reeds Rhapsody Jr rhythmic Robbins Music Schuller score song Strain style Swing symphonic jazz Teddy Hill Theater Theme tion tradition Trbn trombone trpt trumpet unrecorded vamp Whitemanesque whole-tone Willet arrangements Willett sic work’s York Amsterdam