Ant Farm, 1968-1978

Front Cover
University of California Press, 2004 - Architecture - 188 pages
This richly illustrated book, created to accompany the traveling exhibition of the same name, provides a fascinating critical overview of Ant Farm, the radical architecture collective that brought us Cadillac Ranch, Media Burn, and The Eternal Frame. Established by several young renegade architects in 1968, Ant Farm was a collaborative art and design group eager to bring to its practice a revolutionary spirit more consistent with the times. Its vision encompassed creations for a nomadic lifestyle, including inflatable structures and radical environments that culminated in projects such as the organically appointed House of the Century and the unrealized aquatic edifice The Dolphin Embassy. Ant Farm 1968-1978 explores the sweeping career of this inspired and inspiring visionary collective as its architectural projects broadened to embrace a range of undertakings that challenged the visual architecture of image, icon, and power.
Constance Lewallen provides an in-depth, anecdotally rich interview with founding members Chip Lord, Doug Michels, and Curtis Schreier. An essay by Michael Sorkin gives the multivalent cultural context for Ant Farm's radical architecture. Steve Seid takes a comprehensive look at Ant Farm's influential videotapes. Caroline Maniaque's "Searching for Energy" details the group's inflatable structures in relationship to contemporaneous architects working in a similar vein. The catalog also includes a substantial excerpt from Chip Lord's 1976 meditation on car culture, with a new epilogue; a graphically playful timeline recounting Ant Farm's essential art projects; and a rich montage of images and ephemera capturing the humor, originality, and prescience of this feisty enterprise.
A joint publication with the Berkeley Art Museum

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Foreword Sex Drugs Rock and Roll Cars Friends of Ant Farm
lntroduction 171
Ant Farm Timeline

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About the author (2004)

Constance M. Lewallen is Senior Curator for Exhibitions at the Berkeley Art Museum and Pacific Film Archive and author of "Ant Farm, 1968-1978; The Dream of an Audience: Theresa Hak Kyung Cha (1951-1982), "both from UC Press; "Everything Matters: Paul Kos, A Retropective"; and "Joe Brainard: A Retrospective." Robert Riley, independent curator and writer concentrating on contemporary
media and time-based Arts, served as Founding Curator of Media Arts at the San Francisco Museum of Modern Art 1986-2000. Robert Storr is a critic, artist, and Dean of the School of Art at Yale University. Anne Wagner is Professor of Modern Art at the University of California, Berkeley.

Seid is Video Curator at the Pacific Film Archive.

Lord is Professor and Chair of the Film and Digital Media Department at the University of California, Santa Cruz.