Antony and CleopatraUnrivalled practical insights into the play from one of the most influential actors and directors of Shakespeare of all time. |
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Sisältö
Luku 1 | 1 |
Luku 2 | 2 |
Luku 3 | 6 |
Luku 4 | 7 |
Luku 5 | 17 |
Luku 6 | 19 |
Luku 7 | 30 |
Luku 8 | 70 |
Luku 9 | 114 |
Luku 10 | 131 |
Luku 11 | 141 |
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Yleiset termit ja lausekkeet
act-division acting action Actium actors Agrippa alarum Antony and Cleopatra Antony's audience battle bring Brutus Caesar character Charmian comes contrast convention costume Cymbeline dead death defeat Dolabella dramatic dramatist dying editors effect Egypt Egyptian Elizabethan Elizabethan stage Enobarbus Eros fight Folio follows folly Fulvia give gods Granville Barker Hamlet hath hear heart imagine inner stage leave Lepidus lines look lord Love's Labour's Lost Maecenas Mark Antony matter means Menas messenger mind modern never noble Octavia Othello passion pause phrase picture plain play play's playwright Plutarch Pompey Prefaces Proculeius prose Richard Eyre Roman Rome Scarus scene scenery sea-fight sense sensual Shakes Shakespeare Shakespeare's stagecraft simplicity Sir Herbert Tree SOLDIER soliloquy sort sound speak speech stage direction tell theatre thee Thidias things thou thought tragedy turn upper stage Ventidius verse words