Apple Pro Training Series: Shake 4

Front Cover
Peachpit Press, Oct 25, 2005 - Computers - 480 pages
0 Reviews
Talk about making an impact: Apple's Shake compositing and visual effects software has been used in every Academy Award-winning film for visual effects since its debut. It's no wonder that trained Shake artists are in high demand, and there's nowhere better to begin getting that training than with this fully updated (for Shake 4) and comprehensive Apple-approved guide (which includes a free 30-day trial version of this multi-thousand dollar software) Using step-by-step, hands-on instruction, Hollywood effects wizard Marco Paolini takes you through Shake's interface and features, including its color correction tools, tracking and stabilization capabilities, integrated procedural paint, powerful new floating point technology, advanced keyframing, blue and green screen techniques, rotoscoping tools, and more. As with the other titles in the Apple Pro Training series each chapter in this guide represents a complete lesson, with a project to complete, a review section, and bonus exercises to help test what you've learned. The accompanying DVD includes the lesson files needed to complete the book's projects. You can work through the book from cover to cover to get an entire course or you can go straight to the lessons that interest you most. Either way, you'll find the coverage you need to confront even the most daunting compositing and effects tasks with Shake.
 

What people are saying - Write a review

We haven't found any reviews in the usual places.

Selected pages

Contents

Getting Started
Basic Compositing
Intermediate Compositing
RotoShape

Common terms and phrases

About the author (2005)

Visual effects pro and Hollywood veteran Marco Paolini is the president of Digital FilmWorks in Los Angeles. Over the course of his career he has worked on a long list of major Hollywood films, which includes Anna and the King, Men of Honor, Moulin Rouge, and more. He has also received numerous Telly and Addy awards for his visual effects, commercials, music videos, and documentaries.

Bibliographic information