What people are saying - Write a review
We haven't found any reviews in the usual places.
Appreciation of Terracotta Art
Psychoanalytical and Iconographical Perceptions of Mother
Proper Appellation for Genuine Appreciation
5 other sections not shown
Abhinavagupta aesthetic Aihole Ajanta ancient appreciation archaeology architecture Art History art object artist aspect Assam beautiful Bhagavata Buddha carved cave century Chandraketugarh colour context Coomaraswamy creative cult culture dampati dance decorated deity Delhi depicted devakostha Devl Didarganj female figure divine donkey Durga Durga Temple dutls emotional expression face female messengers garbhagriha Garuda goddess hand carries Harihara Hindu Hirapur historian human Ibid icon Iconography ideal identified Indian Art Indian Art History inscription Jaina Kailasa Kamatha Kannada Karnataka Krsna Laksmi left hand literary lotus mandapa mudra Museum myth nature NOTES AND REFERENCES op.cit ornaments painting Parsvanatha Patna Pattadakal perspective philosophy pillars Purana rasa Ravana Ravananugraha representation represented right hand riipa rupa Sakti Sankardeva scholars sculptures sensuous shown Siva Sivaramamurti sixty-four social spiritual strlratna style symbols terracotta terracotta art theme tradition trisula vahana varada Varanasi Vijayanagara Vijayanagara empire Virabhadra Visnu visual Yaksa Yaksl Yoginl temple