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OBSERVATION AND VISION
THE FIELD OF RESEARCH
THE STUDY AND THE SKETCH
3 other sections not shown
accents achieve admirable APPROACH TO LANDSCAPE approaching landscape artist branch branchwork CHAPTER Claude colour and tone colour memory colour mixtures colour note consider Constable craftsmanship of observation dark and light depends depth developing diagonal directions of growth echoed edges elements essential experiment expression fact foliage foreground fountain pen give grass hedgerow Hervey Adams Hiroshige idea LANDSCAPE PAINTING lf the student light areas light paint limited lines luminosity masses means of studies medium mind monochrome study movement note-book outdoor study painter paper pen and wash pictorial picture space PITMAN PRESS practice qualities Rain at Shono realize recession relationships Rembrandt rendering rhythm right-hand Rubens sense sensitiveness sepia shape silhouettes SIR ISAAC PITMAN sketch spatial directions student of landscape study of Nature subtleties suggest sunlight supply technique things thrust trees tural Turner twig varied vision vital WASH STUDY water-colour Waterfall Cotman